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Women Heroes of the US Army

Remarkable Soldiers from the American Revolution to Today

ebook
1 of 1 copy available
1 of 1 copy available
Though early laws prohibited women from becoming soldiers, many women still found ways to serve, even disguising themselves as men to participate in active battle. Margaret Cochran Corbin joined the continental Army cannon crew after her husband was killed during the Civil War, disguised as "William Cathay." And Charity Adams Earley commanded the first African American battalion of the Women's Army Auxiliary Corps in Europe during World War II.
Women Heroes of the US Army chronicles the critical role women have played in strengthening the US Army from the birth of the nation to today. These smart, brave, and determined women led the way for future generations to enter, grow and prosper in the forces defending the United States. Through the profiles highlighting the achievements of these trailblazers throughout history, young women today can envision an equitable future.
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    • Kirkus

      May 15, 2019
      The latest in the Women of Action series celebrates female American soldiers of all eras. From Margaret Cochran Corbin, who was accepted into the Invalid Regiment after taking her cannoneer husband's place and being wounded in a Revolutionary War battle, through the development of the Women's Auxiliary Army Corps during World War II to Leigh Ann Hester, the first woman to receive the Silver Star for combat action, 14 vignettes show how women's participation in the United States Army has become increasingly visible, with women now legally allowed to serve in any position. Staats (Eat Your Science Homework, 2014, etc.) highlights diversity in a few profiles: African American Cathay Williams enlisted in 1866 as a Buffalo soldier, masquerading as a man; Margaret K.C. Yang was a Korean American member of the Women's Army Corp from Hawaii; and Brig. Gen. Deborah L. Kotulich, still serving, is a married lesbian with children. Calling all the women featured in the book heroes, however, is a bit of a stretch--while some undoubtedly were, others' stories are less impressive. The third-person narratives are choppy, uneven, and sometimes repetitive, with confusing nonlinear timelines. Important details are buried in passive-voice sidebars, and the book seems better suited for a younger audience than it's marketed to. Tighter editing would have helped, but the lack of cohesion is disappointing. For large library collections. (glossary, notes, bibliography, index) (Nonfiction. 10-14)

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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