Postcards From No Man's Land

July 5, 2004
"Jam-packed with ideas and passionate characters, this sophisticated novel entwines two narratives, one centered on Jacob and set in mid-1990s Amsterdam and the other in 1944 during the Battle of Arnheim," said PW
in our Best Books citation. Ages 14-up.

Starred review from April 29, 2002
Sophisticated teenage readers yearning for a wider view of life may find themselves intoxicated by this Carnegie Medal–winning novel from Chambers (The Toll Bridge; Dance on My Grave), recent recipient of the Hans Christian Andersen Author Award. Jam-packed with ideas and filled with passionate characters, the story is made up of two narratives, one set in the mid-1990s and the other in 1944. The inevitable but surprising ways in which these two tales connect form the novel's backbone.Bookish, intense and self-conscious, Jacob Todd, 17, has left his English home to spend a few days in the Netherlands paying homage to the soldier grandfather he never knew, and visiting Geertrui, the Dutch woman who took care of his grandfather after he was wounded in battle. Shortly after meeting a beguiling stranger, a mugging leaves Jacob stranded in Amsterdam, forcing him into the initially awkward role of houseguest to Geertrui's forceful and freethinking grandson, Daan. The second story, set in occupied Holland at the time of the battle to liberate Oosterbeck, and narrated by Geertrui, chronicles her long-ago relationship with Jacob's grandfather. As each narrative unwinds, parallels and differences between the two eras emerge. Along with literature, art and love, topics dealt with here include euthanasia, adultery and bisexuality. These issues never become problems to be solved; rather, they are part of the story's texture, neither more nor less significant than the precarious joy of investigating a new city and a foreign culture. No tidy endings here—the concluding scenes present Jacob with a complicated moral dilemma that remains unresolved. The implied challenges of the future make the final pages all the more satisfying: it's clear that Jacob can not only cope with ambiguity but can employ it to enlarge himself on the voyage of self-discovery he has so auspiciously begun. Ages 14-up.