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Title details for Building the Black Arts Movement by Jonathan Fenderson - Available

Building the Black Arts Movement

Hoyt Fuller and the Cultural Politics of the 1960s

by Jonathan Fenderson
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As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges—corporate, political, and personal—that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.| Cover Title page Copyright Contents Acknowledgments Introduction: A Movement Architect 1. Designing the Future: Black in a Negro Company 2. A Local Construction S 3. Expansion Plans: Asymmetries of Pan-African Power 4. Scaling Back: Closure, Crisis, and Counterrevolutionary Times 5. Abandoning the Past: Effacing History and Confronting Silence Coda Maintenance, Reconstruction, and Demolition: Contests for Black Creative Control Notes Bibliography Index |"Fenderson traces the rise and fall of Black Arts Movement through Fuller's professional and personal endeavors and elucidates the larger implications of the movement through the microcosm of Fuller and his environs. Fenderson convincingly contends that Fuller should take his rightful place in the scholarship as a pivotal intellectual architect who helped build the artistic component of the Black power movement." —Journal of American History
"Building the Black Arts Movement is both thoroughly researched and beautifully written with a sharp class and gender analysis. As such, it will reshape how historians approach this movement and its historical actors." —Journal of African American History
"Fenderson succeeds in challenging readers to rethink Fuller's times by presenting a counternarrative to the oftentimes overly harmonious representation of Black social movements in the United States." —Journal of Folklore Research
|Jonathan Fenderson is an assistant professor of African and African American studies at Washington University in St. Louis.

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