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Bradbury Beyond Apollo

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1 of 1 copy available
1 of 1 copy available
Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans.

Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury's working life. As Bradbury's dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney's EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story "The Toynbee Convector." Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self.

The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.

|Acknowledgments
Introduction
Part I. The Inherited Wish
1. Prometheus Bound
2. The Darkness Between the Stars
3. A Teller of Tales
4. The Prisoner of Gravity
5. Witness and Celebrate
6. The Sleep of Reason
7. The Inherited Wish
8. Long After Midnight
9. A Mailbox on Mars
Part II. Beyond Eden
10. The God in Science Fiction
11. Infinite Worlds
12. Abandon in Place
13. Beyond Eden
14. Robot Museums
15. The Great Shout of the Universe
16. A Eureka Year
17. One-Way Ticket Man
Part III. 1984 Will Not Arrive
18. "My Name Is Dark"
19. A Most Favorite Subject
20. Memories of Murder
21. 1984 Will Not Arrive
22. Death Is a Lonely Business
23. A Poet's Heart
24. Forms of Things Unknown
25. Time Flies
26. Beyond the Iron Curtain
Part IV. Graveyard for Lunatics
27. A Graveyard for Lunatics
28. Disputed Passage
29. Green Shadows, White Whale
30. The ABCs of Science Fiction
31. An American Icon
32. Harvest Time
33. A Promise of Eternity
34. Séances and Ghosts
35. An Evening on Mars
Part V. Closing the Book
36. "Make Haste to Live"
37. Messages in a Bottle
38. The Fire Within
39. A Child's Imagination
40. Farewell Summer
41. Samurai Kabuki
42. "Nothing Has to Die"
43. Visions of Mars
44. Remembrance
45. Closing the Book
Notes
Index|

— Greg Bear
|Jonathan R. Eller is a Chancellor's Professor of English, Emeritus, at Indiana University-Purdue University in Indianapolis and cofounder of the Center for Ray Bradbury Studies at IUPUI, where he served for ten years as the Bradbury Center's director. His books Becoming Ray Bradbury and Ray Bradbury Unbound were each finalists for the Locus Award in the Nonfiction category.
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    • Publisher's Weekly

      June 29, 2020
      Eller (Ray Bradbury Unbound) finishes his three-part biography of Ray Bradbury (1920–2012) with this disappointing volume. In comprising the last four decades of Bradbury’s life, from 1971 to his death in 2012, the book’s time frame comes after Bradbury’s greatest period of literary productivity. Instead, his activities were typified by attempts to repackage earlier successes that either came to naught or delivered disappointing results. These included a long-gestating musical adaptation of the short story “The Wonderful Ice Cream Suit,” eventually produced for regional theater and filmed for direct-to-video release, rather than the Broadway and big-screen versions originally envisioned. Meanwhile, Bradbury’s persistent wish to remake François Truffaut’s 1966 film of Fahrenheit 451 with his own script went unrealized. Eller gamely makes a pitch for the merits of the books Bradbury did write during this time, notably a cycle of semiautobiographical noir detective novels, but without quite showing that they deserve to stand along classics such as Fahrenheit or Something Wicked This Way Comes. The lackluster source content isn’t helped by the thin research treatment, which is too reliant on interviews with Bradbury himself. Bradbury’s superfans might enjoy getting into the minutiae of the projects covered, but general readers will likely find this tedious.

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  • English

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