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Laughing to Keep from Dying

African American Satire in the Twenty-First Century

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1 of 1 copy available
1 of 1 copy available
By subverting comedy's rules and expectations, African American satire promotes social justice by connecting laughter with ethical beliefs in a revolutionary way. Danielle Fuentes Morgan ventures from Suzan-Lori Parks to Leslie Jones and Dave Chappelle to Get Out and Atlanta to examine the satirical treatment of race and racialization across today's African American culture. Morgan analyzes how African American artists highlight the ways that society racializes people and bolsters the powerful myth that we live in a "post-racial" nation. The latter in particular inspires artists to take aim at the idea racism no longer exists or the laughable notion of Americans "not seeing" racism or race. Their critique changes our understanding of the boundaries between staged performance and lived experience and create ways to better articulate Black selfhood.

Adventurous and perceptive, Laughing to Keep from Dying reveals how African American satirists unmask the illusions and anxieties surrounding race in the twenty-first century.

|Acknowledgments< br/>Introduction: The Satirical Mode and African American Identity< br/>1 "The Storm, the Whirlwind, and the Earthquake": Slavery and the Satiric Impulse< br/>2 "Race is Just a Made-Up Thing": Abject Blackness and Racial Anxiety< br/>3 "When Keeping It Real Goes Wrong": Vulnerability and Satiric Misfires< br/>4 "How Long Has This Been Goin' On, This Thang?": Centering Race in the Twenty-First Century< br/>Conclusion: Black Futurity and the Future of African American Satire< br/>Notes< br/>Works Cited< br/>Index|"Many comics hone their craft primarily to amuse, but with this thoughtful, academic work, Morgan explores the idea of Black satire with an added function: to more or less safely rock the boat, expressing ideas that might otherwise be tuned out or provoke uncomfortable or even dangerous backlash." —Library Journal
"Morgan explores a radical impulse in recent Black comedy, arguing that performers like Dave Chappelle or films like 'Get Out' aim to highlight racial boundaries." —New York Times
"In Laughing to Keep from Dying, Danielle Fuentes Morgan crafts an innovative and well-considered account of African-American satire. . . . Morgan's prose is clear and engaging, and her language accessible and compelling." —Journal of American Culture
|Danielle Fuentes Morgan is an assistant professor in the Department of English at Santa Clara University.
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    • Library Journal

      October 1, 2020

      Many comics hone their craft primarily to amuse, but with this thoughtful, academic work, Morgan (English, Santa Clara Univ.) explores the idea of Black satire with an added function: to more or less safely rock the boat, expressing ideas that might otherwise be tuned out or provoke uncomfortable or even dangerous backlash. In this work, which joins about 30 other volumes in the "New Black Studies" series, Morgan rejects the idea of a postracist society and instead looks at how satire illustrates the spectrum of Black experience, illuminates Black interior thought and feelings, and delivers messages to audiences who may be closed to hearing them without laughter to create a space for discussion. Opening with a chapter on "Slavery and the Satiric Impulse," the book moves chronologically, including discussions of Black women presented as Mammy and Jezebel, comedians such as Dave Chappelle and Issa Rae, and the success of Jordan Peele with Get Out. Richard Pryor is mentioned; Bill Cosby is not. Readers may particularly appreciate the analysis of "satiric misfires" such as Ted Danson's blackface performance at the roast of his then-partner Whoopi Goldberg, along with stand-up riffs and Saturday Night Live sketches gone wrong. VERDICT This scholarly analysis may find its audience in academic performing arts collections.--Maggie Knapp, Trinity Valley Sch., Fort Worth, TX

      Copyright 2020 Library Journal, LLC Used with permission.

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